Sydney put the colors in order for me, so you know they're in perfect logical order and aesthetically pleasing, to boot:
Again, like my marker roll, this one is loosely based on the colored pencil roll in . I have a couple hundred other things I'm going to try out from that book, too.
And now, a fancy shot:
In other news--you guys, I cannot get the City Museum out of my head! How often do you start the day taking the girls to yet another hands-on museum and end up doing the funnest thing you've ever done in your entire life? Oh, and I was so sore yesterday that I could barely move. So Matt and I were doing some research on the City Museum and the story behind it is also really interesting. Bob Cassilly is the artist/"serial entrepreneur" who's behind it, who also, probably not coincidentally, created our other favorite thing in St. Louis, Turtle Park. Anyway, he and his former wife bought the old St. Louis Shoe Factory for 69 cents a square foot and created the City Museum in it. Matt tells me that originally, it was a non-profit, and the wife was president of the board. Later, however, Cassilly insisted on buying the building back from the board to make it a for-profit enterprise, and his wife was forced out of the business and they divorced and all kinds of scandal.
You know, though, this might be a little Green Party of me, but I think the idea of a for-profit museum, as long as it doesn't go all McDonald's/Disney World, is fine. Cassilly is clearly, after seeing the City Museum, a creative genius, and not only might a board of directors stifle some of his artistic decisions ("You want to stick an old plane where?!!! And let people climb on it?!!!"), but the museum seems to have an ethical system that's both eco-friendly and local, it's not crazy expensive to visit (although it is sort of non-crazy expensive), and hell, brilliant artists deserve to make good money.
Check out this great article on Terrain about the City Museum--Through the Dragon's Mouth. I found it really insightful, both in the philosophies behind the museum that the author uncovered and in her observations about how adults and children interact there. I wonder if I'm so drawn to the place because it's perhaps the first public place I've visited that seems to share my own guiding beliefs.
Oh my gawd, y'all--the City Museum is my church!
There are just all these cool steel pieces welded together to make gangways and ladders and tunnels and bridges and slides and just any awesome thing you can think of. And it's real, you know? I mean, you're not going to fall to your death or anything, but it's not all molded plastic and hand sanitizer, either. Syd busted her lip falling off a rope swing, and I ripped the pocket off my pants scrambling through a tunnel made of a big steel spring. You pick yourself up, nurse a little if you're two, then run off to do something else:
There's also the same element of perceived danger that you'd get at an amusement park, but much more DIY: pretty much every single thing in that place challenged either my claustrophobia or Matt's fear of heights. Good to have a two-parent household, then, because Matt took this photo of me and Will--he was already on the second story himself:
Notice here that even though Sydney is perfectly capable of doing this herself, I'm having to pack her across this bridge on my back while she squeezes my trachea and makes me feel a little light-headed:
She liked the huge ball pit better:

--and then dump each scoop of cake batter into the cake pan smack on top of the scoop that came before it without stirring or mixing it up AT ALL:
And then you end up with rainbow-y goodness ready to bake:
My mistake, in rummaging through my family's kitchen, was that I used a white angel food cake mix, which I was able to find in a cupboard, but not an angel food cake pan, because I wasn't able to find one, although I'm sure of its existence somewhere in this house...somewhere.

As we walked into storytime at the
--and Breastfeeding:

This doesn't follow the book's instructions step-by-step, but back when I read it I studied it until I figured out how the most striking construction elements worked, and so I imagine that my own marker roll has some very close similarities.
--and the up-and-down, back-and-forth quilting:
I like this, in particular, a LOT better than the other ways I've seen discussed of constructing 
The 
We are apparently not the good kind of neighbors...ahem. Mental note: teach the girls to use a trowel, and then we could make 

--and worked--
--and worked. I had a plan to make some buttons around the alphabet for my 






For those of you not CRAZY like I am,
See how, at the left edge of the picture there, you can line up the clear ruler on the gridded mat at the appropriate lines so that the fabric to the right of the ruler is cut accurately?

My favorite thing about doing custom sewing for people is that I'm usually called upon to use color combinations that I normally wouldn't consider--you never could have told me before this project that I would like the combination of lime green, lavender, and rose...
...but after sewing with it, I love that combination! It's youthful and playful and fun without being too childlike--the colors are a little unexpected together, but the fact that they're all pretty light versions of themselves allows them to pop without being garish:
So now, of course, I'm all about the birthday bunting. I'm thinking of adding a listing just for a pick-your-own-colors Happy Birthday bunting in my shop (with a simple symbol on either end as well as in between the words--
--it comes to 16 pennant flags), as well as sewing up a few in some more traditional colors to be able to sell instantly and to show at craft fairs, and I've also, of course, been planning out some bunting ideas for my own girls' 

Mind you, the book sale free days are actually really important to me professionally, because as part of my students' work analyzing gender ideologies, I give them each a romance novel to analyze. That's 46
Really?