Homeschool AP US History: A Family Field Trip to the Levi and Catharine Coffin House

 

Can I still call it a homeschool field trip if there's only one homeschooler in attendance?

Sadder question: will I still be able to call it a homeschool field trip when there are NO more homeschoolers in attendance? SOB!

For the moment, though, it's eyes forward, because I have one homeschooler in attendance, and that homeschooler is taking a deep dive into the Underground Railroad.

The worst thing about the AP history courses is they absolutely FLY through the material. The older kid's AP European History study crammed information into her so quickly that we had very little time to build context and make real-world connections, and to be honest, it shows in her middling retention of the material five years later.

I've addressed that problem with my younger kid by, in the case of her World History course, abandoning AP altogether and instead creating our own study, laser-focused on Ancient History, from the recommended college textbooks, and in the case of this AP US History course, focusing very little on exam prep and using that extra time to enjoy more immersive studies of select topics.

Such as the Underground Railroad! The kid has long been interested in the experiences of the freedom seekers on the Underground Railroad (thank you, Addy Walker!), and thankfully, located as we are in southern Indiana, we're within driving distance of several locations important to freedom seekers and relevant to the history of enslavement on American soil. 

But somehow, until Winter Break, we'd never been to the Grand Central Station of the Underground Railroad itself, the Levi and Catharine Coffin House!

Possibly because it's low-key in the middle of nowhere, but oh, well--that's why we bought a car with excellent fuel efficiency!

Catharine and Levi Coffin were Quakers, who moved to the Quaker community of Newport (it's now called Fountain City, but I didn't get around to asking why) in 1826. From then until they moved to Cincinnati in 1847, their work assisting freedom seekers on the journey north was an open secret. They evaded bounty hunters who knew there was something going on but could never catch them, and just in case they were caught, they never knew more than one other connection of the Underground Railroad in either direction.

The museum next to the house is just one gallery, but it has some really thoughtful exhibits. I really liked this recreation of the box that Henry Brown shipped himself within:

And we have a pair of shoes from William Bush, handed down through generations of descendants. I LOVE personal artifacts like these, and I think this is an example of why these smaller museums are so important. The bigger museums of the world, the Smithsonians and the American Museums of Natural History and the British Museums, have millions more objects than they know what to do with, so the only stuff that gets displayed is the canonical stuff, the stuff most vital to the understanding of the most people.

But smaller museums can show items that are not so much exemplars of the type, but are more personal, intimate, and meaningful to the local community that the museum serves. I might not give this pair of shoes a second glance if I was looking at them in a Smithsonian museum, nor would they probably be placed on display there, competing, as they would be, with thousands of other similar artifacts in better condition or belonging to better-known people. But knowing that these shoes came from a person involved in the history of this exact place, who worked here, was buried here, and whose descendants still partly live here, is always just the absolute most awesome feeling.

One thing that I didn't love about this museum was the noise level. While I was trying to read the sign below, there were at least two--maybe even three?--other audio things going on in the same gallery, all talking over each other. It might not even be noticeable if the gallery was full of people, but it was just the four of us rattling around in there, and I found the noise level nearly unbearable, yikes!

This map is interesting, though, because these paths to freedom look like they make a point of dodging around that entire south-central area where I live:

It would have been all forests and caves and small towns and pioneer settlements, so I don't get it. Must do more research!

Here's another cool map, this one of the town of Newport. I thought it was interesting that Levi Coffin actually owns a few pieces of property on this map. One is a store that sold only goods manufactured using free labor, but I forgot to ask what that really big piece of property on the far left of the map was. Dang it!

Our guided tour of the actual house was super interesting, and I didn't take more than a couple of photos only because I was too busy stumbling all over myself to pepper the tour guide with question after question. She wasn't prepared to speak about the artifacts in the house, all of which were of the correct era and had been donated by locals (inspiring SO MANY QUESTIONS in my heart!), or really much about the building and architecture of the house itself, but she was very game to answer all of my other questions about local law enforcement, the professions and later lives of the Coffin children and further descendants, the chain of ownership of the home after the Coffins and how it became a museum site, the possible education/literacy level of Catharine Coffin, speculation about what it would look like to make this historic house ADA compliant, what the neighbors might have known about what the Coffins were doing, the general information structure of an Underground Railroad chain, where the kitchen garden might have been located, the actual division of labor regarding caring for freedom seekers (mostly relating to my theory that Catharine did far more hands-on work than Levi did), etc.

This awesome little door, below, looks like it would lead to a little closet, and could easily be hidden by just stacking a couple of boxes or a bed against it, but it leads to a storage area that extends the entire length of that room. People could hide in it if the Coffins thought they were about to be raided. All four of us got a turn to crawl inside and look around:

I also really love this spring-fed cistern. There was no reference to it in any of Coffin's papers, and no physical evidence of it when the house came into the custody of the Indiana State Museum. Excavations uncovered it by surprise. 

It's theorized that the Coffins could use this cistern to collect part of the household water, in addition to the creek that they also used just a few yards from the house. That way, no matter how many people were inside the house, anyone spying on them from the outside would only see people going to the creek to fetch a perfectly normal amount of water perfectly suited to the number of official residents inside the Coffin house:

This was a really great museum and house tour, really interesting and really accessible to a wide range of interests and abilities. We were all completely engaged and fascinated, and afterwards, we spent a very late lunch at the Big Boy and a very dull two-hour car ride back home gossiping about it. I've not also got the Reminiscences of Levi Coffin on my bookshelf, and you know I cannot keep what I'm reading to myself AT ALL so I'm sure we'll all spend even more time gossiping about it in the next few weeks!

Here are a few other things that my teenager and I have done in support of her Underground Railroad study:

• audiobook and discussion of 12 Years a Slave
• trip to the National Underground Railroad Freedom Center

P.S. Want to follow along with my craft projects, books I'm reading, road trips to weird old cemeteries, handmade homeschool high school studies, and other various adventures on the daily? Find me on my Craft Knife Facebook page!

Homeschool History/Culinary Arts: Homemade Chocolate

The teenager's Honors World History: Ancient Times study (2 semesters; 2 high school credits) is a LOT of work, because we're using two college textbooks as the spine for this DIY course:

• Duiker's World History
• Gardner's Art through the Ages

This homemade chocolate project is relevant to Duiker Chapter 6, "The New World," and Gardner Chapter 14, "From Alaska to the Andes: The Arts of Ancient America." It also builds context with our study of Mesoamerica, and trip to the Yucatan Peninsula, from two years ago. We discussed the Ancient Maya's relationship to chocolate then--our local university's art museum actually has a Maya vessel that still has the dregs of ancient hot chocolate inside!--but we didn't do any hands-on chocolate-making projects during that particular study.

Yay, because it gives us something new to do this year!

This TED-Ed video about the history of chocolate is surprisingly thorough for being less than five minutes long, and since our study of chocolate is mostly contained to the Ancient Maya, it builds context by centering chocolate within world history:

If you'd rather your student read than watch, here's about the same level of content as informational text from the Exploratorium.

For our hands-on project, I bought this Make Your Own Chocolate kit from Glee Gum--the kids and I have actually done this exact same kit before, but since it was a whopping ELEVEN YEARS AGO(?!?!), I figured we might as well give it another go!

The kit is marketed to and suitable for young kids like my own long-ago wee ones, but it's actually quite suitable for this nearly-grown teenager and fully-grown me, as well--as long as you're a beginner chocolatier, I suppose. If you can temper chocolate in your sleep this kit probably wouldn't cover much new ground for you, but the teenager and I didn't find the instructions or the activity babyish or overly simplified. 

And look! We got to taste real cacao beans!

The kit is sort of like a Hello Fresh for chocolate-making, in that it provides the ingredients in the amounts needed, and then you heat and combine them as directed. I especially liked the sticker thermometer for easily taking the temperature of the chocolate. My teenager was more than capable of completing the entire project independently, so all I had to do was hang out, take photos, add weird mix-ins to the candy wrappers, and then enjoy all of the chocolate!

For mix-ins, we tried various combinations of candied ginger, dried unsweetened cherries, and peanut butter. The latter two in the same truffle was my favorite combo.

If you wanted to extend this activity even further, there are a ton of ways you could go:

If you live within driving distance, Hershey's Chocolate World in Hershey, Pennsylvania, would be a fun, educational-ish trip. They mostly want to sell you things, but if you're thoughtful, you can make the things that they sell you work as enrichment. We didn't visit The Hershey Story on our own trip, but it looks much more legitimately educational, ahem.

If your kid gets really into the foodcrafting part of the experience, you can buy more of the same ingredients from the kit and make more chocolate from scratch. Kid-made homemade truffles or chocolate bars would be such a lovely Valentine's Day project or handmade gift!

Another super fun but low-effort chocolate crafting project is coating random foods in chocolate. Chocolate-covered gummy bears ARE surprisingly delicious, as are sour gummy worms, mint leaves, and, um... Ramen noodles.

If you're working with a young kid, and don't want to mess around too much with molten chocolate, you could make them a batch of edible chocolate slime for a fun sensory extension activity. Or make modeling chocolate, which sculpts well and is also delicious!

Here are some books that pair well with making your own chocolate:

• The Bitter Side of Sweet. Pair this with any chocolate study to bring insight and empathy to the serious problem of child enslavement that plagues modern chocolate production. 
• The Book of Chocolate. This is a very readable history for apt middle grades and up. 
• Charlie and the Chocolate Factory. It's not for the history buff, ahem, but it's perfect if you're doing the kit just to have fun with candy. If you've never read this book aloud to your kids, are you even a homeschooler?
• Chocolate Fever. Yes, it's a children's book, but it's really, really good! Find an audiobook version that you can listen to while you do some of this food crafting, and you can probably get through the entire book in one session.
• Making Chocolate: From Beans to Bar to S'more. This book is a completely excessive tome about making chocolate from scratch, but if you've got an older kid who's interested... well, you're homeschoolers for a reason!

P.S. Want to know more about all the weird math I have my kids do, as well as our other wanderings and wonderings? Check out my Facebook page!

I Read Twelve Years a Slave, and Now I'm Going to Go Spit on Edwin Epps' Grave

I read a bunch of these one-star Goodreads reviews to the family, and we were simultaneously horrified and howling with laughter. People are so hilariously awful!

Twelve Years a Slave by Solomon Northup
My rating: 5 of 5 stars

My teenager and I have been listening to this book together as part of her AP US History study, usually listening for an hour or so at a time... but this last time, we listened to two and a half hours together, all the way to the end, in the audiobook equivalent of not being able to put it down because it was so exciting!

The teenager chose this book over both Uncle Tom’s Cabin and other possible slave narratives because, frankly, it was the shortest. I'd never read it before, and neither of us have seen the film, so we both came to it fresh. I was interested to see what each of us thought about it, she who's read several children's fictional accounts (shout-out to Addy Walker!) and YA histories about US slavery but nothing this graphic or wrenching, and me who's read fairly widely on the subject, but almost entirely in college classes. We've taken a lot of road trips to Civil War sites, but shamefully few to sites where we could learn about the enslaved. 

Spoiler Alert: OMG this book is EPIC. It is INCREDIBLE. It is distressing, and action-heavy, and suspenseful, and sad. It has vivid characters who I can't get out of my head, villains whose graves should be spat upon, heroes who should have statues made and scholarships founded in their honor, and victims who bring to life the vile nature of enslavement.

Like, seriously. I was shocked at how good this book is! Because it's for my teenager's history course I was prepared to read it even if it was dry or boring or we just didn't enjoy it--I mean, it's school, that's kind of what it's known for! So I was shocked and thrilled that this book is genuinely good, genuinely exciting, genuinely interesting. I saw some people in other reviews griping about having to learn all about how to pick cotton in the book and they didn't like learning about it and thought it was boring. I mean, though... it's high-key NOT?!? If you don't pick cotton right, or don't pick enough of it, you get your ass kicked! And then get your ass kicked more the next day when you can't pick even that much on account of you're injured from getting your ass kicked! And if you're female, you're also getting raped on the regular, and then when the enslaver's wife finds out that her husband is serially raping you, you get your ass kicked for that, too. That... doesn't feel boring to me. It feels uncomfortable, which I'm guessing is what the negative reviewers are actually not liking about Northup's memoir.

Everyone should read this book, and I'd say that ideally they should read it in high school. It's pretty graphic, but the graphic scenes are terrible in the way that graphic scenes ought to be, in that they're in service of telling a very important story. It's not boring, unless you're just completely uninterested in learning about any type of life different from your own. And it's a living testament to the value of human life and the importance of those who give service to help others.

Under the theme of Some People are Incredible but Other People are Terrible, here is a gross bit of backlash to Northup's memoir: 163 years after the publication of Twelve Years a Slave, a person unaffiliated with any academics at all wrote and published a book (through the small press that she owns and serves as the editor, designer, and proofreader for) entitled 200 Years a Fraud, in which she claims that Northup lied about the events of the book? That does make some of the other one-star reviews that were a lot more racist, revisionist, and conspiracy theory-forward make more sense. Here's an excellent series of rebuttals to that very weird book, including some primary source evidence of its veracity.

I was so invested in this book that after the teenager and I finished it, I went on a deep-dive to learn more about Northup's life afterwards. Unfortunately, by all accounts, Northup did not cope well with his trauma upon his return to freedom. His mother had died during his incarceration, and the seven-year-old daughter he'd left greeted him as a 19-year-old woman who introduced him to the newborn son she'd named "Solomon." Northup spent time as a speaker on the abolitionist circuit, and, of course, helping author his book, and became famous enough that during the Civil War, Union soldiers who traveled through that Louisiana area sometimes sought the plantations were Northup had been held. They sent back news of this in their letters, so happily we know that Patsey, the woman who'd been repeatedly raped, and at least once beaten almost to death, by Epps, had left earlier in the war and so had at least survived long enough to achieve freedom. 

I wish we also knew what happened to the small child Emily, daughter of Eliza, who had also been held with Northup in Washington, DC. She wasn't sold onward to Louisiana but was instead retained to be forced into sex work. 

Census records tell that Northup and his wife often separated, and eventually official record loses track of him entirely. It was rumored that he suffered from alcoholism, and was likely often unhoused, as Anne Northup's obituary refers to him as a "worthless vagabond." I am so sad that this was not a happy ending!

This is a better ending: The Hollywood Reporter collected portraits of 46 of Solomon Northup's direct descendants. I LOVE this!

There are two more happy stories: that of Dr. Sue Eakin, the historian responsible for publishing a new edition of Northup's memoir and bringing his biography into prominent academic light, and that of Samuel Bass, the Canadian who successfully got actionable information to Northup's family and lawyer and was directly responsible for Northup's rescue. When my teenager and I listened to this book together, one of our favorite parts is when Bass is discussing why he'd put himself in so much danger to help Northup. He says that he wants to do this good deed so that later in life he can think about what he did and feel good about it. I mean... FAIR! 

We don't know what happened to Northup at the end of his life, but we know the entire biographies and final resting places of his enslavers (because of COURSE we do, sigh...). You can actually still visit the house that Northup was forced to help build for Edwin Epps--it's currently on the LSUA campus! I high-key love how people are using the memorial page for Epps' Find a Grave entry to roast him, and I'm definitely not NOT going to make a point of looking him up and spitting on his grave if I ever happen to be in the area, although I will probably gag myself trying and then end up barfing all over his grave because spitting is so nasty.

I guess barfing would be better anyway?

My teenager and I listened to this book together as inter-disciplinary work for her AP US History and AP English Literature and Composition studies. For a high school student, there are some excellent extension activities to add more meat and rigor for these studies, in particular. For students who need more practice writing about literature, or in using close reading as evidence for implications, I really like the reading/writing prompts at Edsitement. 

P.S. Want to follow along with my craft projects, books I'm reading, road trips to weird old cemeteries (where I promise I NEVER spit on graves!), handmade homeschool high school studies, and other various adventures on the daily? Find me on my Craft Knife Facebook page!

My Very Own Girl Scout Cookie Booth Calculator: How Many Cookies to Order for Booth Sales

Happy First Week of Girl Scout Cookie Booths!

My Service Unit's Girl Scout cookies are being delivered by semi-trucks this week, and this weekend is my troop's inaugural cookie booth of the season. This is my younger kid's last year in Girl Scouts, and therefore my final year of cookie captaincy. And so, like a Girl Scout Ambassador earning the My Cookie Resume badge, it's time to share what I've learned!

If you're a returning troop, I've written before about my VERY involved process of calculating super accurate predictions of how many cookies to order for booth sales. That process was crucial during the years that my Girl Scout troop was routinely selling 10,000+ boxes of cookies per season, because even a small error in percentage REALLY adds up when you multiply it by 10,000. One year, I miscalculated how many Trefoils we'd need for our Initial Order so badly that it took us almost the entire season to sell just that Initial Order--yikes! 

The last couple of years, however, as the kids have grown up and everyone's high school graduation is now in sight, they've become more focused on spending all those cookie profits on cool adventures, and less on earning even more piles of gold to swim around in like Scrooge McDuck, so cookie sales have chilled out A LOT. That means, as well, that I can chill out on the math quite a bit. So here's my MUCH more casual method of calculation that works just fine for troops whose total sales goal is less than 2,000 boxes. 

And an even bigger cheat sheet: I'll also tell you exactly what percentages we're ordering for booths here in our Central Indiana council, so you can do the same if you think your customers will have the same preferences as our Hoosiers. NOBODY should have to suffer through a season of trying to upsell customers on Trefoils!

The situation that makes this calculation method work particularly well for my troop is that, as a well-established Girl Scout troop, we have a well-established non-Hot Spot location. We've spent years crafting a warm relationship with this business, and during cookie season it's our primary selling spot. So unlike in that booth analytics post where I showed you all my bar graphs comparing different locations at different times over the course of the cookie season, this year I mostly only have to calculate for a single location.

I've also got fewer kids who want to sell at booths this year, so unlike our heyday years when I might have had three booths going simultaneously and some kind of booth running for something like 15 hours over the course of the weekend, this year it will probably just be one or two booths, for probably a max of 4-5 hours, over the course of an entire weekend. It's no longer a struggle to simply have enough cookies in the troop stock to send to booths, so I can afford to be a LOT more chill about precise ordering. 

I miss the excitement... but I don't miss the stress!

ANYWAY...

For a returning troop to make a reasonably precise prediction about cookie percentages for a booth at a single location, find three booth sheets from that location last year. You want booth sheets from super early in the cookie season (and you should be really encouraging the kids to sell hard super early, because that's when your sales will be highest!), and from booths in which you had a full inventory and didn't sell out of anything. You're not going to know how many Toffee Tastics you could have sold if your booth didn't have them in the first place!

For example, I originally pulled this booth sheet, but when I sat down with it I immediately realized that it wouldn't work:

We ran out of Adventurefuls at that booth, dang it! I can't calculate how many we sold if we didn't have them for the entire time!

This one works!

And you can see that I already did my percentage calculations for it--I should hope I did, because Initial Orders were due last week!

To calculate percentages of each cookie, you need to know 1) the total number of physical boxes sold (don't count donations!) and 2) the total number of each type of cookie sold.

The calculation is this:

Type of Cookie = x% of Total Sold

You plug in the numbers for the type of cookie and the total sold, then solve for x.

For instance, Lemon Ups:

9 = x% of 262

9/262 =x%

After you get the answer for 9/262=.034, multiply it by 100/move the decimal two places to the right to get the percent

3.4 =x%

Complete that calculation for each type of cookie, and you'll know what percentages of each you sold at that booth.

Do the same calculations for two more booth sheets, then average them to find the average percent of each type of cookie sold.

Here are the percentages I ordered:

• ADVENTUREFULS: 6%
• LEMONUPS: 4% 
• TREFOILS: 4%
• DOSIDOS: 8%
• SAMOAS: 21%
• TAGALONGS: 11% (I might have under-ordered these, so I'll throw in an extra case when I stock the booth)
• THIN MINTS: 43% (I might have over-ordered these, but you can ALWAYS sell Thin Mints)
• S'MORES: 2%
• TOFFEE TASTICS: 2% (be very conservative about these, because they're SO hard to sell if you overstock them. If you happen to sell out at a booth, just have your troop's Digital Cookie QR code on hand so customers can order for Girl Delivery)

So you know at what percentage you should order; now, you have to figure out how many total boxes to order!

For this, you're not going to average. Instead, if you're a returning troop, find your top-selling booth and calculate that one, then add a little more for optimism and to make completely sure that you won't run out. Our top-selling booth last year sold 262 boxes of physical cookies (don't count donations!) over 5 hours. Divide 262 by 5, and they sold 52.4 boxes per hour. I'll round that up to 60 per hour.

To decide how many boxes of each type of cookie to bring to that booth this year, then, I just have to know how many hours it will run. If it runs for, say, 2 hours, then I should bring 120 boxes of cookies at the minimum, and early in the season I'll pad that even more if I've got the troop stock to do it. I'll definitely throw in another case of Tagalongs so that I don't have to run an emergency case over mid-booth!

And if I have the troop stock, I will ALWAYS round up to the nearest case. I never send partial cases if I can get away with it, because they're just that more unwieldy to carry and count. 

To do the math, break each percentage back down to its decimal, then multiply by 120.

Here are the cookies I would bring to this two-hour booth:

• ADVENTUREFULS: .06 x 120 = 7.2 boxes = 1 CASE
• LEMONUPS: .04 is smaller than .06 so I'm not even going to calculate; I'll just bring 1 CASE
• TREFOILS: 1 CASE
• DOSIDOS: .08 x 120 = 9.6 boxes = 1 CASE, but sometimes DoSiDos randomly sell like wildfire, so if I have it I might even bring 3
• SAMOAS: .21 x 120 = 25.2 boxes = 3 CASES
• TAGALONGS: .11 x 120 =13.2, but I'm worried I underordered so I'm going to throw even another case in there and bring 3 CASES
• THIN MINTS: .43 x 120 = 51.6 = 5 CASES
• S'MORES: 1 CASE
• TOFFEE TASTICS: 1 CASE

If you're a first-year troop, it's SO hard to give you an estimate of how many cookies to bring to your booth. Per-hour rates are very location-specific, and honestly, they're very troop-specific, too! One of my troop's greatest sources of pride is how HARD they work at cookie booths. The kids are all highly experienced, they're very active sellers with multiple tactics, they work specifically to up-sell and solicit cookie donations, and their per-hour sales rate is, therefore, higher than kids who don't put themselves out there that much or are less well-practiced in salesmanship. 

If you're a first-year troop, there are a couple of strategies you can use to help you predict how many boxes of cookies to order for booth sales. One is to use your troop's selling goal, calculated by adding up each kid's individual selling goal, as a target. Order maybe 50% of that at your Initial Order, and for the first couple of booths, bring as much troop stock as you can carry and keep track of. Your goal will be to not run out of cookies so you can get good per-hour sales estimates for future booths. 

If your Service Unit has an active Facebook group or well-attended Service Unit meetings, you can also consult other troop leaders to see what they bring. Just keep in mind that your mileage will vary quite a bit regarding answers! There will be a troop leader who will confidently tell you something like "oh, a couple of cases of this and a couple of cases of that, etc." because they simply don't keep track, or another troop leader who will give you an extremely low number because their kids spend every booth staring at their phones instead of selling, or another troop leader who tells you a GIANT number because their kids are cookie-selling machines.

I've never tried this particular tactic, but I'd also maybe recommend calling your council's cookie staff and asking them if they, by any chance, keep track of booth averages or per-hour sales for your Service Unit booths or even specific Hot Spot booths. They should, because they certainly have all those numbers available to them, but who knows if they're actually doing anything with those numbers, sigh. If it was me on staff you wouldn't even believe how many pie charts and line graphs I'd be shoving in your face!

Y'all, I really can't believe this is my last year selling Girl Scout cookies. What do people even DO with their February when they don't have a house full of cookie boxes?!?

P.S. Want to know more about all the weird math I have my kids do, as well as our other wanderings and wonderings? Check out my Facebook page!

Alchemy: A High School Chemistry/Geometry/World History Combo Study

We use CK-12's Chemistry for High School textbook as the teenager's spine for Honors Chemistry, with, of course, our own lab component added and a LOT of supplementation. 

We started supplementing right in Chapter 1, when we added a short study of alchemy to the textbook's brief history of chemistry.

I think that most teenagers find the concept of alchemy interesting--it's mystical and a little spooky, and it's very, very incorrect. Teenagers have SO much fun learning about adults who were incorrect!

Unfortunately, there really aren't a ton of great resources about alchemy that work well for a high school/undergrad readership, and there are a TON of contemporary, fantastical, and otherwise ahistorical resources that muddy up any kind of student-led research. 

Therefore, this study of alchemy was necessarily a short one, able to be completed within 1-2 hours. You could draw out the art component further, of course, by requiring a more polished piece that used a larger vocabulary of alchemical symbols and moves, but this brief afternoon's work was enough for our own purposes.

After reading the relevant material in the CK-12 Chemistry for High School textbook, my teenager and I watched this Crash Course History of Science episode (if your student isn't studying History of Science as a discrete topic, I highly recommend reviewing the playlist and adding applicable videos to their science/history syllabi as interdisciplinary enrichment):

Crash Course videos tend to be meaty, so it might be worth going over it a couple of times to make sure you absorb all the info.

After the video, my teenager and I looked through a number of alchemical illustrations and excerpts from alchemy books from alchemy's heyday. This Getty Research Institute's virtual exhibit is a treasure! Click on the link in the caption of most of the images to be taken to the digitized version of that book, which you can then flip through to find other interesting images and text. 

The teenager practiced her close reading to notice all the details in each piece of artwork, and used semiotic analysis to attempt to interpret the pieces. But also take time to notice how lovely each piece, is, as well; alchemy artwork is ART!

Using these pieces and some reference books, we then spent some time playing around with creating our own artwork that had (or looked like it had, lol!), alchemical meaning. The nature of the pieces also meant that the teenager could use the works she created as process pieces in her geometry art portfolio: 

Check out the accurate geometric shapes and the overall balance of the piece! DON'T check out my noisy digitization of the work; I really need to learn how to clean up art when I scan it, sigh...

That was as far as we took this particular lesson, but here's some further reading appropriate for an interested high school student:

• Alchemy: The Great Secret. This is a fairly accessible history for those who watched the Crash Course video but would like to learn more.
• Alchemy: An Illustrated A to Z. I wouldn't use this as a textbook supplement, but it was an excellent art reference. 
• Alchemy and Mysticism: The Hermetic Museum. Most of the text was beyond me, but it has tons of art to reference.

My favorite thing about alchemy is how it sits just next to being correct; like, they were wrong about the Sun and the Moon and dragon's blood and the mystical marriage of lead and tin, but while they were drawing their allegorical wedding feasts and busily melting silver in little pots, they were butting up against the actual chemistry that alchemy would evolve into. What they did reads now as adorably naive just because we know better, but these people were actually pretty bad-ass wizard scientists.

They also for sure all had lead poisoning, which explains a LOT of their artwork.

P.S. Want to follow along with my craft projects, books I'm reading, dog-walking mishaps, home improvement projects, and other various adventures on the daily? Find me on my Craft Knife Facebook page!

Homeschool High School English: Gothic Literature, The Haunting of Hill House, and Why Teenagers Should Watch Rocky Horror Picture Show

Our 2023 pumpkin army is a vision of Gothic decrepitude!

If you know me AT ALL, you will be so surprised to learn that I think that you should watch The Haunting of Hill House Netflix series with your teenagers before you read the book!

It's really good, first of all, and it stars one of the guys from Leverage, which is another teenager favorite around here, and it's so genuinely scary that my one chicken teenager actually noped out of the experience, and it's a terrific set-up to the Gothic literature genre, especially the idea of the decrepit old house as a representation of the darkness inside ourselves... AND it's completely different from The Haunting of Hill House book in every important way, BUT has enough nods to the book that when you read it with the teenagers afterwards, they can discover all the little connections for themselves as an aid to interest and an encouragement for close reading.

The only thing to be wary of is that my teenager loved the Netflix series so much that she was Big Mad that the book was completely different, and therefore decided that she Did Not Like the Book, which is a shame because it is so good, just... different. So if your teenager, like mine, is spiteful and loves herself a grudge, maybe rethink this order.

For all the other teenagers, it's 1) the TV series, then 2) the book!

https://www.tumblr.com/brutaliakhoa/722303965399859200/what-if-the-house-was-haunted-what-if-the-house

Genre studies are very good for high schoolers, because a genre study gives them a lot of practice picking out themes from different artifacts and doing a lot of comparison/contrast, all supported with lots of evidence and that good flow of logic that connects evidence to conclusion. 

Gothic literature makes an excellent high school genre study for a few reasons:

1. It's not exactly horror, so it shouldn't actually scare off the scaredy-cats, but it IS horror-adjacent, and has a kind of aesthetic that really appeals to a lot of teens. Even kids who aren't super emo tend to appreciate Gothic vibes!

2. It's a genre that's covered a lot of ground, historically, so it gives teenagers more practice reading and analyzing older works than they're often used to. A lot of the teenagers that I've worked with get so fussy when asked to read anything with challenging language/syntax, including just about anything that's not completely contemporary. But they'll work harder for something that they find genuinely interesting, and I have a lot more luck making Frankenstein interesting than I do Romeo and Juliet!

3. Speaking of Frankenstein... there are so many excellent female authors within the Gothic literature genre, and this study is a great chance to focus on Mary Shelley, Shirley Jackson, Toni Morrison, Anne Rice, and other important female authors within the canon. Gothic literature is, as far as I know, entirely Eurocentric, but there are plenty of Black voices to add, especially if you delve into one of my favorite sub-genres, Southern Gothic. Researching to find works by other POC or authors across the sex/gender spectrum or other continents (now I'm thinking that some Japanese horror could also work?) would make an excellent final project for a teenager!

https://www.tumblr.com/angrylittleburd/730460890258980864/spatial-horror-isnt-i-am-in-a-scary-place-so

For our The Haunting of Hill House study, I got my teenager's buy-in because that Netflix series was so good. After we finished, I asked if she would want to read and study the book version next.

Reader, she did!

After that, I'd planned to go on a whole Shirley Jackson deep-dive with her, doing some short stories (including "The Lottery" of course!) and then my own personal favorite Jackson book, We Have Always Lived in the Castle. Alas that she didn't love the book version, because it caused me to scrap those plans, but to be honest, broadening the study out to cover other authors over a larger time period was more academically sound, anyway. 

For a semester-long, in-depth study that you could put on your kid's transcript as its own English course, I suggest reading several entire novels together. A lot of very early Gothic is super messed up, though (*cough, cough* The Monk *cough*), sooo... pre-read! But even without the most messed-up stuff, though, you've got Frankenstein, Dracula, Dr. Jekyll and Mr. Hyde, The Picture of Dorian Gray, etc. I don't usually like to get too invested in authorial intentionalism, but author studies of Mary Shelley and Oscar Wilde would make good rabbit trails if your teenager seems especially interested in their works. Or utilize those author studies in their history course to add more inter-disciplinary work. 

More modern Gothic choices could include Shirley Jackson, Ira Levin (Rosemary's Baby is the more obvious choice, but The Stepford Wives plays with the theme of place in the Gothic genre in some interesting ways that your high schooler can use for their compare/contrast paper), Anne Rice, and Toni Morrison. If you do Interview with the Vampire, consider contrasting it with Abraham Lincoln: Vampire Hunter, which is just as schlocky as it sounds, but actually has some interesting things to say about enslavement. 

Here's a New York Public Library list with even more Gothic literature books.

If you don't have an entire high school semester-long course to dedicate to Gothic literature, I also like the idea of covering the same ground via short stories. This list of Gothic short stories has Shirley Jackson, Edgar Allen Poe, Virginia Woolf, and William Faulkner on it, and also includes "The Yellow Wallpaper," mandatory reading, in my opinion, for any Liberal Arts major in the making.

Here's a list of Black authors of Gothic fiction that I've put on my own must-read list. I read Incidents in the Life of a Slave Girl back in undergrad as a slave narrative only and I've only read Octavia Butler's post-apocalyptic Parable of the Sower, so I'm very interested in reading/re-reading the works from this list through a Gothic lit lens! 

https://www.tumblr.com/string-star-lights/691764710603980800/rocky-horror-picture-show-asks-what-would-happen

I'm trying very hard not to raise a bunch of hopelessly unemployable Lit majors like myself, so even with high school English, and EVEN with high school AP English Literature and Composition, which is the teenager's current study, I like to extend the analyses beyond just written text to a wide variety of other cultural artifacts, and the work beyond just reading and writing to a wide variety of other intellectual explorations. 

Fortunately, movies, music, and theatre are all very easy to incorporate into a literature study, because you can use many of the same analytical processes with them. They tend, especially movies and theatre performances, to hit the same plot and thematic beats in much the same way as literature does, so it doesn't feel like a big stretch for a teenager to write about them while writing about literature. But you can then help your student notice the parts that ARE different, like costume and setting and acting choices and audience, and adding those analyses helps them deepen their thinking on their topic. 

As part of this study, we watched The Rocky Horror Picture Show, both at a family-friendly live show and (because the teenager fell asleep during it, lol) at home. Especially if your student has already studied Frankenstein, The Rocky Horror Picture Show is semiotically rich with its overtly mad scientist and self-aware Frankenstein's monster and heroine who is required to choose between man and monster. If you watch a live show, you also get to add in the audience as further cultural artifact; the concept of a self-aware, non-consensually modified character has a lot of appeal to a lot of people, and witnessing an audience seeing the experience as a celebration instead of a taboo is enriching. 

I also recommend The Hunger and Pan's Labyrinth as semiotically rich Gothic horror films, although Pan's Labyrinth scares the snot out of me! 

For a more in-person folklore/social history/anthropology element, and depending on how scaredy your own teenagers may be, it can be very fun and intellectually rewarding to visit a haunted house (in October), or attend one of those paranormal/ghost hunting excursions that a lot of cities have. Even my own corn-fed Indiana locale hosts several such events. Place semiotics is easy to see during these activities, and although analysis of a first-person event can be extremely challenging for this age range, it's a useful skill that teenagers should start developing.

Other hands-on activities for this study include creating one's own Gothic art (take a rabbit trail down the path of Gothic art for a day or two first, because that's another whole entire fascinating exploration!); DIYing a model haunted house that fits into some of the themes you've explored (if you do this, add in some extra STEM skills by incorporating this Pepper's Ghost element); or, of course, writing one's own Gothic short story or poem. If you've got a bit of a reluctant writer, or just one who gets writer's block, it's fun and low-stress to first have them write themes, elements, characters, etc. on notecards to pick at random to be included in the work, or even to write a circular story, in which every five minutes you pass your stories back and forth and collaborate on all of them.

And in my family, we end essentially every study with a themed family dinner and movie night. Is the most Gothic dinner food bloody finger breadsticks, or is it mummy head meatloaf? 

You're all wrong. It's mashed potatoes carefully unmolded from my skull pan, with pats of butter melting in the eye sockets.

P.S. Want even more high school lit studies? My kids really love the Gothic vibe, and we've done full studies on both Frankenstein and Dracula!

P.P.S. Want to follow along with my craft projects, books I'm reading, road trips to weird old cemeteries, handmade homeschool high school studies, and other various adventures on the daily? Find me on my Craft Knife Facebook page!

My England Travel Journal Is... Excessive

 It took an extra six months and a final boost of half of The Crown Season 3 on DVD, but my England travel journal finally went from this--

--to this!

It might be just a tad overstuffed...

The actual travel journaling didn't take six months, but I also wanted to incorporate all of my favorite family photos from the trip and some of the ephemera I'd collected. 

And then at the Half-Price Books Outlet one day I found an old Eyewitness Great Britain, the kind where every page is illuminated with all the little pictures and maps and infographics, and things got a little out of hand.

So the book may indeed be morbidly overstuffed, but now I'll never forget the name of the delicious ice lolly that I got at the ice cream truck after making it down from Glastonbury Tor without having a heart attack--

--or the excitement/exhaustion of our first day in London, and how maybe some of us possibly wanted to curl up on the grass and die in front of Big Ben, but we rallied and toured Westminster Abbey instead:

If I ever want to remind myself of the floorplan of the White Tower, or reassure myself that yes, the Uber Boat schedule IS completely impossible to interpret and no, I do not EVER want to get back on that boat again no matter how lovely the Tower Bridge looks from the water, all I have to do is turn to my travel journal!

I can also use my travel journal to remind myself that I DO want to go back to Canterbury one day!

And, of course, anytime I want to debate with myself about which of the approximately 1,000 photos I took of my family at Stonehenge is the most marvelous, I can just flip through my travel journal and admire them all:

It's the perfect final chapter to a perfect trip!

I don't think I've got any massive trips coming up this year, not with all the fun my partner and I are going to have adding a second college tuition to our bill schedule. 

But we ARE going to New York City for a couple of days later this winter so I can finally see Hadestown on Broadway...

Okay, and my Girl Scout troop IS currently planning a spring trip to Boston...

And my younger kid and I might need to do some college visits after acceptances and financial aid offers come out...

And my older kid might be studying abroad next Fall, and if she does, well, it *would* be nice to go visit her...

P.S. Want to follow along with my unfinished craft projects, books I'm reading, cute photos of the cats, high school chemistry labs, and other various adventures on the daily? Find me on my Craft Knife Facebook page!