10 Witch Hats for Halloween... Just Not Necessarily *This* Halloween

One improvement that I could easily make to my little hobby etsy shop is to anticipate seasonality.

Like, I'm literally the one who bitched every single year of my kid's Nutcracker years about why on earth the ballet department always acted like they had to reinvent the entire damn Nutcracker wheel every damn year. Y'all, you have done this thing before! Why is the children's dressing room never reserved and nobody has the elevator key and casting a dozen nine-year-olds in the same roles they held when they were eight takes three freaking weeks of daily emails saying that the casting will be out tomorrow? And yet here I am every year being all, "Oh, gorsh! Is Halloween month! Should I... make something Halloween for my etsy shop?" And then I have time to make maybe three things before Halloween is over.

Also me, sitting here on November 18 with nothing in my shop for Thanksgiving and nothing in my shop for Christmas

But you know what I DO have in my shop right now? The five handmade witch hats that I finished AFTER Halloween! The five that I managed to bust out before Halloween sold so quickly that I figured that this time I would get ahead of the game while I was thinking about it and my mind and my hands were already in witch hat mode.

I really like this hat that I fussy cut from a thrifted batik of the seven chakras:

I also got through quite a bit of previously thrifted formalwear for those pre-Halloween witch hats--

--as well as a successful experiment with facing a witch hat with burlap:

My big helper here just happened to be home for Fall Break right when I needed a witch hat model!

--but my absolute favorite hats, and the ones that I ended up making multiples of to get that jump on next Halloween, are these hats sewn from the last scraps of a vintage cutter quilt that I've had kicking around my fabric stash for over 15 years by now:

I'm a little sad to have used it all up with these hats, because I've never come across another old cutter quilt since, but I suppose that we mustn't hoard our resources, sigh.

It just sews up SO prettily!

These last four witch hats sewn from that vintage quilt are already listed in my Pumpkin+Bear etsy shop, because who am I to tell you no if you want to buy one in the off-season--

--but what I really should do, and what I am firmly telling myself TO do, is to sew a couple more hats from unique fabrics every month, so that by the time next autumn rolls around I'll be fully stocked with seasonal items.

But not this week. This week my goal is to figure out how to sew re-usable fabric chains, probably with Velcro fasteners, because I think it would make a really cool--and eco-friendly! And heirloom!--holiday decoration. And obviously I won't figure that out and have any sets finished until it's past time to reasonably decorate for Christmas, sooo... I guess I'm really committed to getting a jump on next year's holiday products!

P.S. Want to see what we're going to do with a bushel of apples, a gallon of cider, and two Jack-o-lantern pumpkins, one very large and one very weird? Follow along on my Craft Knife Facebook page, where cider cocktails and caramel apples are made, and teenagers are in charge of the applesauce!

It Took Me Eight Months To Cross-Stitch Two Things, But I Think I've Got the Hang of It Now!

Creepy Cross-Stitch: 25 Spooky Projects to Haunt Your Halls by Lindsay Swearingen
My rating: 5 of 5 stars

I didn’t think that I wanted to learn how to cross-stitch, but apparently I just needed a gateway book. Because now that I’m two whole projects deep, I love it!

Although it did take me a while to get there… I actually checked this book out from the library early this year---like, pre-Valentine’s Day early--thinking it might be cute to do some of the projects and set them aside for Halloween decorating.

Yeah... no. I finished my first project from the book, a little ghost with a floral background, a couple of days before Halloween, and the process only really started to click in mid-October. But then I zipped through the finish, immediately started my second project, a Jack-o-lantern cauldron, and finished it a week later.

Here are the things I learned:

1. The x’s touch each other. With my first stitches, I put the x’s next to each other, but not, like, in the same holes, and I had to sit there and stare at them for a while, comparing back and forth with the illustration in the book, before I finally realized how you’re supposed to place them.
2. Counting is really, really, REALLY important, and also weirdly hard? My little ghostie is actually a huge mess, especially all those little flowers, because I absolutely could not figure out how to count all the little squares of dead space to the next flower. It took me forever to realize that the pattern has darker lines every five squares, which made the counting maybe 5% easier, but I still feel like I have to count the pattern squares about fourteen times, then the squares on the fabric about twelve times, then check back to the pattern to make sure it’s right, and then to the fabric again to make sure I wasn’t crazy the last time I counted. WHY IS IT SO HARD!!!!!
3. You don’t actually have to use the exact colors of embroidery floss that the pattern calls for. With the first project, I bought all the exact correct colors and it was fine, but for the second project, I was all, “Aha! I can use these two random oranges that I already own!” So I only had to buy the greys, and I consider that a huge win.
4. You ALSO don’t actually have to use the store-bought Aida that the pattern calls for. I HAAAAATE the feel of the black Aida I bought for the ghost (I also feel like it was stupid expensive, Michael’s!!!), although I’ve since learned that I could have soaked it in water to rinse away the sizing that was apparently making it so stiff. But anyway, I did my Jack-o-lantern cauldron on burlap, and I am obsessed with how it looks and feels. I might have to experiment with dyeing burlap, because a lot of the Creepy Cross Stitch projects definitely need to be stitched onto black.
5. I am maaaaaaaybe too myopic to excel at cross stitch. I keep having to peer over my glasses and hold the fabric about two inches from my face, although I’m definitely getting better at not having to do that for EVERY stitch--just the tricky ones!

Here are the things I still don’t know:

1. The embroidery hoop dented my Aida and made me afraid to keep using it, so I’ve just been sort of holding the fabric by hand. Are embroidery hoops a huge time-saver, and if so, how do you keep it from creasing your fabric?
2. How do you pull a strand of embroidery floss from the skein without tangling everything? Is there a specific end you pull? My numerous skeins of tangled floss would like to know.
3. I don’t understand how you’re supposed to figure out where to place your stitching on the fabric so that you’ve got enough room for it but you don’t waste a lot of fabric, either. I wasted a bunch of the black Aida by placing my little ghostie in the center, so now that I’ve cut it out I’ve got just a bunch of scrap Aida that’s only good for tiny projects, but I had to restart my Jack-o-lantern cauldron because I started it too close to the edge.

I absolutely want to make most of the projects in this book, but now that I’ve got two finished (that I need to figure out how to mount and display…), I’m going to take a little break from Halloween stitching and check out some other cross-stitch books from the library. So far I’ve got waiting on hold for me one with national park icons, a feminist one, a literary one, and a Star Trek one. I think I’m going to be spoiled for choice!

P.S. View all my reviews.

P.P.S. Want to see what we're going to do with a bushel of apples, a gallon of cider, and two Jack-o-lantern pumpkins, one very large and one very weird? Follow along on my Craft Knife Facebook page, where cider cocktails and caramel apples are made, and teenagers are in charge of the applesauce!

This Disney Children's Cookbook is Exactly the Right Level for My Kitchen Skills

The Disney Villains Cookbook by Walt Disney Company
My rating: 4 of 5 stars

I am 49 years old, with what is apparently the cooking skill of someone at least 40 years younger, because this children's cookbook was EXACTLY my speed.

And I didn't even know that it was a cookbook for children when I checked it out of the library. What that says about me, I do not care to explore. But although I am mostly disinterested in cooking (if someone ever invents a middle-aged human chow with all the vitamins and nutrients needed by a perimenopausal woman, sold in 50-pound bags with instructions on the side about what size scoop you should dish out per meal, I will be incandescently happy and my life will immediately become 1000% easier), I DO love myself some thematically-appropriate novelty foods, and I thought this book might snooker me into actually, you know, using my stove this week.

Especially with the excuse to eat my dinner in front of a movie!

Alas for that last part, because this book's only flaw for me is that the recipes are VERY loosely associated with the Disney villain each claims to represent. I'll give it a point for the Spotted Scones to represent Cruella de Vil, because okay, chocolate chips are a cute idea for dalmatian spots and the book/movie IS set in England... but they don't actually represent Cruella, just the concept of the film. An actual Cruella recipe would be something like a black and white cookie. And the Black and White Bean Salad that comes later in the book and is also supposed to represent Cruella doesn't work, either, because black beans aren't really black.

The two recipes that my partner and I tried have even looser connections to their Disney villains. You're supposed to cut the Baguette Breakfast Beaks into triangles to represent Maleficent's raven familiar, but other than the fact that it's kind of gross to make an egg dish to symbolize a bird, cutting it into triangles is literally the only connection. And a baguette cut into triangles doesn't look like beaks? Captain Hook's Stuffed Shells is even worse, because even though the description notes that "Captain Hook and his crew would no doubt appreciate a warm plate of this ocean-themed dish," the absolute only ocean-themed part of it is the jumbo pasta shells. No nori, no seafood, no ocean colors, no crumbly textures to represent sand... just baked pasta with jumbo pasta shells.

Y'all, my grown-up autistic ass can barely accept this as even remotely on-theme. There's no way you're going to get a kid with any kind of neurological pathways to buy into it.

HOWEVER... the two recipes that my partner and I tried were DELICIOUS. And SIMPLE. And infinitely repeatable in a menu rotation. And super easy to riff on with whatever ingredients you have on hand.

The best part, though, is that the recipes are so clear and intuitive that you just have to make them while looking at the recipe exactly once, and then you can make them forever. The baguette bake is just beaten eggs, whatever veggies sound good, and a bunch of cheese baked in a hollowed-out baguette. I threw in some diced peppers and onion and chopped spinach and halved cherry tomatoes, my partner added bacon because otherwise he wouldn't be able to recognize the meal as food, and he and I killed an entire baguette's worth between the two of us. The stuffed shells is just a carton of ricotta, a beaten egg, whatever veggies and herbs sound good, and a bunch more mozzarella and parmesan layered casserole-style with cooked pasta and marinara sauce and baked. I threw in a ton of sauteed kale from my garden along with scallions and a shocking amount of fresh parsley, my partner added sausage, and my only regret is not going even harder on the greens because my partner and I FEASTED!

Seriously--if this is what cooking is actually like, then I can actually do it, and I actually enjoy it!

We watched Ted Lasso while we ate our stuffed shells, though, because that recipe is absolutely NOT Peter Pan-themed.

P.S. View all my reviews

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I Made a Little Quilt That Is a Ghost for The Little Ghost Who Was a Quilt

The best thing, for me, about having a small niece, is that I can still make all the cute children's things that I want to make, because I still have someone to give them to!

Honestly, I might actually make more things for my niece than I did for my own kids, if you don't count things like clothes or homeschool materials or collaborative crafts, because when my own kids were this little kid's age, I was too busy parenting little kids to get enough crafty time to actually make them cute things! My younger kid was four years old by the time I made her first quilt, oops!

So when I saw The Little Ghost Who Was a Quilt in a local bookstore a few weeks ago, and I was immediately charmed by it, and then immediately after that I wanted to make a little ghost quilt--I did!

Happily, the book's endpapers feature the quilt design of the titular little ghost, making it super easy to see what similar fabrics would look like. And even more happily, I did not have to buy a single thing to make this quilt! To be fair, a couple of the fabrics that I used are remnants that I'd previously bought with no purpose in mind, but everything else was honest-to-goodness scraps and stash, from the fabric for the top to the cotton batting to the cotton sheet I used as the backing.

All of the pieces are 5" squares. I wanted my quilt to be 10 blocks by 12 blocks, so I needed 120 blocks total. I sort of tried to keep the colors even between purple, aqua, and white, but it's a little blue-heavy. There are just a few grey blocks scattered in, because it turns out that I don't actually own very much grey fabric. The little ghost quilt in the book also has tan blocks, but for some reason I don't have ANY tan fabric, and anyway, I wasn't really feeling the tan colorway... which is perhaps one reason for why I don't own any tan fabric, lol!

To make the quilt, you lay out your pieces and rearrange them until you like the way they look as a whole, then stack them by rows, piece each row, then piece the rows themselves together, being quite fussy about lining up the corners:

Then you take up your entire family room floor making your quilt sandwich!

This is why I can never say that my creations come from a pet-free home, ahem. I would NEVER want my creations to come from a pet-free home!

I pinned my quilt quite well to the batting/backing, trimmed it out roughly, then quilted it via stitch in the ditch, earning myself yet another day of having a wonky back in the process. Why must quilting be so ergonomically incorrect?!?

Here's how it looks all nicely quilted and ready to be properly trimmed:

I got through trimming the batting before my supervisor came to check up on me:

I trimmed the backing to 1" wider than the quilt on all sides, then folded it in half twice, clipped it in place using every plastic sewing clip I own, and stitched it down:

Proper quilters use a blind stitch or another invisible stitch, but I'm happy with a plain old zig-zag.

And there's my little ghost quilt!

The lighting was soooo perfect right when I finished, but in the hour it took me to run out and do early voting, it got completely overcast. But I had to take my photos anyway, because Halloween presents are more fun if you can get them in the mail in time for the recipient to receive them before, you know, Halloween!

...and that's a bunch of cat hairs there on the purple block, sigh. I did wash it and dry it, and then go over it with the lint roller, before I put it in the mail.

Because you don't have to follow a pattern, just make sure that the pieces look cute together as a whole, this is actually one of the quickest quilts I've ever sewn:

I'm always especially pleased when I can work any of my favorite meaningful fabrics into a piece. Below, the smocked blue fabric used to be part of the only skirt that my older kid ever willingly wore. The silky white fabric to its right is actually from my wedding dress!

My favorite part, though, is that I used variegated thread to quilt it, and it looks so nice from the back!

Isn't it crazy that you can make something so substantial, and so pretty and perfect, entirely from materials you already have on hand? Historically, that's exactly what quilting should be, including reusing those bits of old clothes, and I LOVE that there's a children's book that encourages children to notice and care for the simple, unassuming gift of a patchwork quilt:

I didn't have any ghosts on hand to put into it, though, so that part's going to have to figure itself out later. 

P.S. Want to follow along with my craft projects, books I'm reading, road trips to random little towns, looming mid-life crisis, and other various adventures on the daily? Find me on my Craft Knife Facebook page!

In Which I Sewed Fancy Witch Hats Until I Literally Ran Out Of Fancy Fabric

Never mind that I don't actually have any occasion for wearing my fancy witch hat lined up yet. I'll think of something.

Anyway, doesn't the old saying go, "If you sew a fancy witch hat, the occasion for wearing said fancy witch hat will come?" When the occasion arrives, I shall be prepared!

I used this free witch hat pattern from Keiko Lynn to get started, although I sort of riffed on it and did my own thing regarding construction. The pattern has the perfect dimensions, 17" across and 22" tall, and looks adorable on everyone I've seen wearing it. 

My fabric stash is appallingly disorganized, which actually has the benefit of causing me to make some delightful discoveries while I'm in the process of digging through every inch of fabric I own to uncover the one small swatch that I know I have somewhere around here. So while I was looking for the nice black Kona cotton that I knew I'd bought a pretty large remnant of the other day--

--I also came across the flower-embroidered tulle that I (over)bought a few years ago to make the kid a dance skirt:

It looked delightful stitched over the black cotton, so then when I was cleaning out my kid's old Trashion/Refashion Show fabric stash and found a length of white tulle embroidered with gold--I think it used to be a curtain?--I remembered the rest of my wedding dress that I've been cutting up and sewing into cute stuff for a few months now:

The perfect interfacing, I've decided, is Pellon 809. I tried to go stiffer for one hat, but it was nearly impossible to stitch curves when sewing with it, and while I like how nice and sticky-out the brim is, it kinda hurts my head to wear it. The Pellon 809 makes a slightly drapier brim--

--but at least you can sew it and wear it without tears!

I managed to get three entire witch hats out of the black cotton/black embellished tulle combo: one for me, one for my younger kid--because if you do not dress as a witch sometime in October, do you even attend a historically women's college?--and one that I sold in my Pumpkin+Bear etsy shop:

I only had enough wedding dress fabric to make one hat, also already sold:

And of course, is it even a proper witch hat if it hasn't been blessed by one's familiar?

I am actually dying to make more of these hats, which tbh I do not need to do because I just finished piecing a Little Ghost Who Was a Quilt quilt (if you need to radicalize any young friends/relatives into the true and correct conviction that quilts are special and magical so that you can give them quilts for every occasion and have a fighting chance that they'll like them, I highly recommend this book!) and still need to back and quilt and bind it and get it in the mail to my niece. Also my current coasters are too summery and I want to make some autumn ones. And I got this book from the library and so obviously I now need to make name buntings for my younger kid and her roommates. 

So it's for the best that I literally do not have anymore fabric in my stash to be sewing witch hats with. But if I end up at Goodwill this weekend and somebody's tacky old prom dress with its hundred yards of embellished tulle just happens to fall into my cart... well, life is tough sometimes! 

P.S. Want to follow along with my craft projects, books I'm reading, road trips to random little towns, looming mid-life crisis, and other various adventures on the daily? Find me on my Craft Knife Facebook page!

You Should Take Pumpkinhead Photos

This tutorial was originally published on Crafting a Green World in 2022!

It's unwieldy, unbalanced, and will definitely put a crick in your neck, but it's so worth it! 

This photo shoot with Jack-o-lanterns on our heads is one of the funnest Halloween activities I've done yet in my life. And I used to get paid actual cash money to work in a haunted house and scare the snot out of people! 

And happily enough, this pumpkinhead photo shoot is also one of the most eco-friendly Halloween activities! You don't need any single-serve candy with assorted wrappers. There are no costume components to source. No plastic, no face paint. All that's required is a fresh pumpkin from a local farm, your favorite comfy fall clothes, and a lovely natural space, ideally with deciduous trees in the process of transitioning.  Here are all the components for the perfect pumpkinhead photo shoot:

• fresh, whole carving pumpkin. You have to go pretty big with these, so I found a place that was selling them per pumpkin, not per pound. I can eyeball it better now, but the first time I took my teenager with me and held pumpkins up to her head to make sure I wasn't buying one that was too small. The trick is to find a pumpkin tall enough that it can touch your shoulders. Too short, and not only will it slide around, but the top of your head will be taking the entire weight of the pumpkin, which is HEAVY!
• pumpkin carving tools. Yes, I use those cheap-looking mostly-plastic carving kits that all the big-box stores sell, but, um. Those pumpkin carving kits are the bomb! Not only are they easy to use and give super accurate results, but my family has been using the same cheap tools for probably over a decade by now. If you gave me one of these nice stainless steel and wood pumpkin carving sets, though, I wouldn't be sad...
• autumn apparel. Jeans, boots, and flannel shirts look suitably autumnal.
• head protection (optional). The Jack-o-lanterns really are quite heavy! To provide a little padding and avoid getting pumpkin guts on your hair, you can opt to wear a washable fuzzy beanie or a shower cap.
• wagon (optional). We walked down a local trail for a bit to find the perfect autumn scene for our photo shoot. A folding wagon made sure we didn't have to lug Jack-o-lanterns in our arms while we hiked!

Step 1: Carve your Jack-o-lantern!

Carve the opening in the pumpkin at the bottom, not the top. Make it just big enough for your head to fit.  

Scoop out all the guts, and reserve the pumpkin seeds to roast. 

Any simple face works well in a pumpkinhead photo shoot. I think that smiling faces are funnier and neutral faces are slightly creepy. I've found through trial and error that anything detailed that you might try to carve will just get lost amid all the other details in these photos. In this case, simpler is easiest AND best!

Step 2. Take a lot of photos!

Take the photos the same day that you carve the pumpkin. The only thing worse than standing around with a fresh pumpkin on your head is, well, standing around with a not-so-fresh pumpkin on your head! 

For the best results, your background should be fairly simple and autumnal, and have some depth. Fields always look good, and forests can look good if you can get a little distance from your pumpkin-headed subjects. Placing your pumpkinheads close to the camera in front of a flat vertical surface like a wall is likely going to make your photos, in turn, look flat and too posed.  

Pumpkinhead photos are awesome for people who are awkward in front of a camera lens, because they don't have to pose in any particularly cute way. They don't even have to smile! You can literally just stand there, arms hanging limply at your side, half-blinking with a weird expression on your face, and as long as you've got a Jack-o-lantern on your head, you'll look awesome.  

Certain posed photos can look especially funny, though. I searched Pinterest for family, couple, children's, and graduation photo shoots, and made a list of several to try. My partner and kid thought of more to include, as well, as we got into the groove. 

We did end up having to ditch all of our ideas that involved various dance poses or anything requiring good balance. Those heavy, wobbly Jack-o-lanterns play fast and loose with one's center of gravity!

Step 3: Edit photos to make them even spookier.

 

Your photos will look awesome as-is, but you can edit them to make them even more awesome. 

Adding grain or using a sepia filter makes the photos spookier, as does vignetting them. Play with the saturation and temperature to make the leaves and pumpkins pop. 

If you can use Photoshop, you have even more options to make your photos spooky and fun! My partner darkened the eyes and mouths of the Jack-o-lanterns, removed joggers from the background of some photos, and, as in the photo above, popped the head right off my teenager. That photo is my favorite! 

And when you're finished with your photoshoot, I actually think that having the opening at the bottom makes the pumpkin even better as a Jack-o-lantern on our porch. It's a win-win!